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- <text id=93TT0263>
- <title>
- July 26, 1993: Reviews:Television
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- July 26, 1993 The Flood Of '93
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 68
- TELEVISION
- A Hot-Tub Big Chill
- </hdr>
- <body>
- <p>By RICHARD ZOGLIN
- </p>
- <qt>
- <l>SHOW: Chantilly Lace</l>
- <l>TIME: July 18, 22, 27; Showtime</l>
- </qt>
- <p> THE BOTTOM LINE: Seven women get together for weekends of sisterly
- introspection and pizza. Men, beware.
- </p>
- <p> When it comes to movies like Chantilly Lace, a male TV critic
- has to be open-minded. Women in Hollywood, after all, don't
- have it easy. Stars like Clint Eastwood remain sex symbols into
- their 60s, while their female counterparts are all but washed
- up at 40. Younger actresses too are reduced to fighting over
- second-fiddle roles in mediocre action films. Even in TV movies,
- where women dominate, the roles are boringly one-dimensional
- (the woman victimized or triumphant over tragedy). So attention
- must be paid to this Showtime movie in which seven good actresses
- get to emote as a group of friends who meet at a mountain retreat
- for three separate weekends of celebration, conversation and
- sisterly introspection.
- </p>
- <p> The film, directed by veteran TV producer Linda Yellen, grew
- out of improvisations at Robert Redford's Sundance Institute,
- so a wary male critic is at least prepared for the film's politically
- correct earnestness. One of the group, Natalie (JoBeth Williams),
- is a movie critic who raises money to make a film about homeless
- women. Another, Maggie (Talia Shire), is a nun who faces a spiritual
- crisis after she helps a woman get an abortion. There are lesbian
- revelations, a discussion of the Anita Hill hearings and rampant
- man bashing. Rheza (Lindsay Crouse) has been dumped by her husband
- and bears a grudge. Hannah (Helen Slater) is married to Natalie's
- ex-husband, and the two compare notes about the stinker. "If
- you can love him, love him," says the ex. "But don't lose you.
- How's your loft?" If the slumber-party bonhomie (bonfemmie?)
- seems precious and fake, well, was The Big Chill really any
- better?
- </p>
- <p> It's the pizza boy who tears it. A hunky delivery guy, shown
- only from the biceps down, he arrives with an order midway through
- the film, and the women taunt and ogle him in a not-so-subtle
- commentary on the way men objectify women. Then Natalie lures
- him into her bedroom for a "tip," strips off his clothes and
- engages in a steamy midday roll in the hay. A startled male
- critic's first thought is that this is an odd place for a fantasy
- sequence.
- </p>
- <p> Unfortunately, the scene is real. Humping the pizza boy, it
- seems, is some sort of statement about female empowerment. But
- as the others listen to the couple's moaning and discuss the
- interlude over white wine in the hot tub, a grumbly male critic
- starts to have serious questions. What happened to the pizza?
- Is all this really "an uncensored and undiluted glimpse into
- the heart, soul and mind of the modern American woman," as the
- press release says, or just a sappy brew of soap-opera banalities
- and feminist wish fulfillment? And would you please excuse us
- while we rent Dirty Harry?
- </p>
-
- </body>
- </article>
- </text>
-
-